Although
Arthur Miller began writing his early works during the modernist movement, an
early 20th century movement challenging the traditional norms,
beliefs, and literary structure, most of Miller’s critically acclaimed work,
including The Crucible and Death of a Salesman, was published
during the postmodernist literature movement (Bradford). Postmodernism,
although difficult to define, is a post-World War II (late 1940s to present)
literary movement often referred to as simply the descendant of modernism.
Postmodernism, however, is frequently viewed as possessing the opposite (or
broader) characteristics of modernism, for instance, while modernism is
generally rational and organized, postmodernism is generally irrational and
fragmented (“Literary Theory”).
Death of a Salesman, Miller’s most prominent work, was
written in 1949 during the emergence of the American dream, the belief that
fame, success, and wealth could be obtained through hard work and dedication. Death of a Salesman not only encompasses
this philosophy, but also several other postmodernist beliefs, such as the
studying of the past to improve the future and living ones parent’s lost
dreams. By describing the failure of living the American dream and its effect
on one’s family, Miller’s play also serves as a social commentary discussing the
social values of the post-World War II era (Lombardi).
The Crucible, Miller’s most controversial work, was
published in 1953 at the time of the McCarthy trials, during which the House
Committee on Un-American Activities (HUAC) prosecuted Americans, often actors
and writers, for allegedly being supporters of Communism. Through his 17th
century Salem witch trial allegory in The
Crucible, Miller indirectly criticized McCarthyism, later landing Miller in
front of the HUAC himself (“None Without Sin”). By criticizing McCarthyism,
Miller engaged in another important aspect of postmodernist literature generally
not present in modernist literature, namely politicizing current events (Geyh).
In
conclusion, Arthur Miller’s most prominent work, including Death of a Salesman and The
Crucible, was published during the postmodernist literature movement.
Written during the post-World War II era and Cold War, Miller’s work touches on
subjects such as the American Dream, success and failure, family values, and
McCarthyism (Lombardi).
Works
Cited
"Arthur Miller - None Without Sin." PBS: Public
Broadcasting Service. 23 Aug. 2006. Web. 21 Nov. 2011.
<http://www.pbs.org/wnet/americanmasters/episodes/arthur-miller/none-without-sin/56/>.
Bradford, Wade. "Arthur Miller - Biography of an
American Playwright." About.com: Plays & Drama. Web. 21 Nov.
2011. <http://plays.about.com/od/playwrights/p/arthurmiller.htm>.
Geyh, Paula. "Postmodernism." New Dictionary
of the History of Ideas. 2005. Encyclopedia.com. 20 Nov. 2011 <http://www.encyclopedia.com>.
"Literary Theory and Schools of Criticism." Purdue
University Online Writing Lab (OWL). Web. 20 Nov. 2011.
<http://owl.english.purdue.edu/owl/resource/722/08/>.
Lombardi, Esther. "Death of a
Salesman." About.com: Books & Literature Classics. Web. 21 Nov.
2011. <http://classiclit.about.com/od/deathofasalesman/fr/aa_death.htm>.
One response to Arthur Miller & Postmodernism
I read the Crucible and I really enjoyed it, but I wonder whether this work is part of protest literature.
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